Atomos Shogun Studio – Dual Display Scope/Recorder

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Shogun Studio Harnessing the latest 4K/HD recorder, monitor and playback technologies the Shogun Studio enhances existing HD workflows and provides an affordable rack mount solution for creating 4K Masters.
Use each channel independently to record edit friendly 10-bit 4:2:2 ProRes/DNxHR or operate the dual channels together for more advanced recording functionality
Direct touchscreen access combined with advanced remote control functionality
LTC input for multi cam scenarios during recording and Genlock available for play back
Wave Form Monitoring on both channels using Luma Parade, RGB parade & Vector Scope with Vector Zoom
Focus peaking in 3 modes along with 1:1 and 2:1 zoom to punch in for critical focus

  • Weight
  • Weight 5.0kg / 11lb
  • Rack height 3Ru
  • Rack mounting Removable rack ears
  • Dimensions (W x H x D mm) “447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
  • 490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)”
  • Construction Steel construction for durability
  • Cooling Actively controlled fan with heat sinks
  • Power
  • Operating power (including SSD) 20 – 60W
  • Redundant PSU Yes
  • Compatible batteries No
  • Input voltage (battery) –
  • DC Out No
  • “Continuous power
  • * Patent pending” –
  • Touchscreen
  • Size 7.1”
  • Resolution 1920 x 1200
  • PPI 320
  • Aspect ratio 16:9 native
  • Color standard Rec.709 HDTV
  • Look up table (LUT) support 3D LUT (.cube file format)
  • Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
  • Video analysis tools Luma waveform, RGB parade,
  • Vectorscope, Vectorscope zoom
  • Calibration “Calibration in factory to Rec.709, in eld
  • calibration with optional X-Rite unit”
  • HDR
  • AtomHDR Yes
  • Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
  • Supported Gamuts “Sony SGamut / SGamut3 / SGamut3.cine
  • Canon Cinema / BT2020 / DCI P3 / DCI P3+
  • Panasonic V Gamut
  • Arri Alexa Wide Gamut”
  • Bit depth 8-bit
  • Brightness 400nit
  • “PQ in/out
  • In = Post Out = Monitor” Yes / Yes
  • Video Input/Loop Out
  • HDMI 1 x HDMI (1.4b) per channel
  • SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
  • Signal “Uncompressed true 10-bit or 8-bit 422
  • (camera dependent)”
  • Video Output (Play Out)
  • HDMI 1 x HDMI (1.4b) per channel
  • SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
  • Signal “Uncompressed true 10-bit or 8-bit 422
  • (playback file dependent)”
  • Supported Codecs & Frame Rates (Record & Playback)
  • Raw to ProRes / DNxHR “Raw cameras supported (Sony
  • FS5/FS7/FS700, Canon C300MKII, C500)
  • Codecs
  • Apple ProRes HQ, 422, LT
  • AVID DNxHR HQX. HQ, SQ, LB
  • Frame rates
  • 4K DCI / 4K UHD; 24/25/30B
  • 2K / 1080p; 24/SF24/25/SF25/30/SF30″
  • Video to ProRes / DNxHR “Codecs
  • Apple ProRes HQ, 422, LT
  • AVID DNxHR HQX. HQ, SQ, LB
  • Frame rates
  • 4K DCI / 4K UHD; 24/25/30
  • 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
  • 1080i; 50/60i
  • 720p; 50/60p”
  • Onboard Processing
  • HDMI “24/25/30pSF > 24/25/30p (2:2 pulldown)
  • 60i > 24p (3:2 pulldown)”
  • SDI Yes – Always on
  • Analogue audio On HDMI/SDI loop out (Rec & Playout)
  • Audio In/Out (48kHz PCM Audio)
  • HDMI 2 or 8ch 24-bit, camera dependent
  • SDI 12ch 48kHz 24-bit
  • Analogue audio “2 x XLR in & 2 x XLR out on rear per record channel.
  • Mic or line level with phantom 48V”
  • Processing Gain control on line in & headphone output
  • Maximum audio quality 24-bit, 48kHz
  • Audio delay Delay setting +1 to 99 frames
  • Remote Control
  • HDMI “Auto HDMI Trigger
  • Supported Protocols – Canon, Sony, Atomos Open Standard”
  • SDI SDI trigger camera selectable
  • RS422 RS422 machine control
  • AMP via Ethernet RJ45 10/100
  • Serial Calibration (front)
  • Timecode
  • HDMI Embedded timecode from camera or video device
  • SDI Embedded timecode from camera or video device
  • LTC In Yes (LTC loop back)
  • GenLock In Yes (GenLock loop back)
  • Playback
  • Playlist Yes (run down or reverse order) for selected, favorite or all clips
  • Playback options Loop in & out markets
  • Recording
  • Dual channel Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- dent dual channel record.
  • Continuous record Single channel 4K / HD recording automatically switches between drive when at capacity
  • Pre-roll record Yes (HD 8s, 4K 2s)
  • Custom timelapse Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock).
  • Meta data tagging Yes (10 tags available)
  • Recording Media
  • Drive slots 2 (1 per record channel)
  • Drive connection types SATA
  • “Supported media
  • (Approved List at atomos.com/drives)” “4K / HD (50/60/120p*)
  • SSD 2.5”, HDD (7,200 up to 1080p60)
  • HD
  • SSD 2.5”, HDD (5,400 up to 1080p30)”
  • Master caddy case “Master Caddy II (included)
  • 75mm x 105mm x 12mm”
  • Master caddy dock 2.5” SATA to USB 2.0/3.0
  • Supported applications “Supported Applications FCPX/FCP7+
  • Media Composer 5.0+
  • Premiere 5.5+
  • EDIUS 6.0+
  • Vegas Pro 10+
  • Lightworks
  • Autodesk Smoke 2015″
  • XML support “FCPX XML native, FCP7 supported with conversion
  • (Adobe compatible)”
  • Accessories included “Shogun Studio unit, 2x Rack ears with screws,
  • 5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet,
  • 2x IEC power cable, 1x Screen cleaning cloth”
  • Optional extras Master Caddy II x 5, X-Rite calibration

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